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Detroit Institute of Arts to exhibit Ofrendas by local Artists Oct. 21–Nov. 6 in honor of Mexican Day of the Dead (Día de Muertos) Holiday Public asked to submit photos on Instagram of lost loved ones for digital display

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(Detroit)—The Detroit Institute of Arts (DIA), in collaboration with the Mexican Consulate of Detroit, will exhibit 14 ofrenda altars, or offerings, created by local artists from Friday, Oct. 21, to Sunday, Nov. 6 in celebration of the Día de Muertos (Day of the Dead), which honors the life and memory of lost loved ones. This year’s display, “Ofrendas: Celebrating el Día de Muertos,” marks the fourth consecutive year of the popular program.

Themes of the ofrendas include memorials to family members and friends; the origins of the Mexican Día de Muertos tradition; Mexican inventors, scientists and writers; Edsel and Eleanor Ford and their relationship with Diego Rivera and Frida Kahlo; the people and places of Detroit’s southwest Delray neighborhood; and Alzheimer’s victims, among others. The altars, which range in size from five to 10 feet tall, will be constructed from a variety of media, including found objects, papel picado (paper cutouts), artificial flowers and food, LED candles, sugar skulls, photos, sand, clay, wood and more.

The DIA put out a call to artists for proposals, and submissions were judged by a selection committee of DIA staff and local community members of Mexican heritage. The artists chosen for the exhibition have wide-ranging experiences and occupations—from seasoned artists and teachers to art enthusiasts, entrepreneurs and community group members. Many have designed ofrendas for other museums, galleries and community centers.

“Celebrating this important cultural artistic tradition is just one of the ways we are working toward bringing all members of our communities together” said Salvador Salort-Pons, DIA director. “Visitors from all backgrounds will be able to make their own personal connections to each of these ofrendas, as well as to the area artists who created them. We love to work with our local artists and feature their creativity and our rich cultural diversity.”
 
New this year, the DIA is asking the public to submit photos of lost loved ones on Instagram for consideration of inclusion in an exhibition slideshow. To participate, post a photo with the name of the deceased, the years he or she lived and the hash tag #DIAofrendas2016. In addition, visitors can create retablos, or devotional paintings, and paper flowers to leave in the exhibition’s community ofrenda during drop-in workshops offered on Saturdays and Sundays from noon to 4 p.m. throughout October.

Other Día de Muertos themed programs at the DIA include sugar skull workshops on Fridays in October from 6 to 9 p.m., puppet performances by Marionetas de la Esquina on Saturday, Oct. 22 and Sunday, Oct. 23 at 2 p.m., cultural demonstrations of Aztec traditions on Saturday, Oct. 29 and Sunday, Oct. 30 at 2 p.m., dance performances by Ballet Folklórico de Detroit on Saturday, Nov. 5 at 1 and 3 p.m. and a talk by the ofrenda artists on Sunday, Nov. 6 at 3 p.m. Festivities are free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

For more information about the artists and the concepts of their altars, contact Larisa Zade at lzade@dia.org.


Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.
 
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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Music legend Iggy Pop and filmmaker Jim Jarmusch to appear at Detroit Institute of Arts’ Detroit Film Theatre’s advance screening of “Gimme Danger"

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(Detroit)—The Detroit Institute of Arts’ (DIA) Detroit Film Theatre (DFT) presents an advance screening of renowned director Jim Jarmusch’s new documentary “Gimme Danger,” an Amazon Studios/Magnolia Pictures release, on Tuesday, Oct. 25 at 7 p.m. featuring a discussion with Michigan’s own music legend Iggy Pop and Jarmusch, moderated by Ann Delisi, host of WDET’s Essential Music program. Tickets are $15 and are available in advance at www.dia.org, in person at the DIA’s box office or by phone at 313-833-4005. Advance tickets are strongly recommended.

The special program is in advance of the run of “Gimme Danger” at the DFT, showing Oct. 28–30 and Nov. 4–6. Tickets for these showings beginning Oct. 28 are also available in advance.

Emerging from Ann Arbor amidst a countercultural revolution, The Stooges’ powerful and aggressive style of rock-n-roll blew a crater in the musical landscape of the late 1960s. Assaulting audiences with a blend of rock, blues, R&B and free jazz, the band planted the seeds for what would be called punk and alternative rock in the decades that followed.

“Gimme Danger” chronicles the story of The Stooges, one of the greatest rock-n-roll bands of all time, presenting the context of their emergence musically, culturally, politically and historically. The movie relates the band’s adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as The Stooges’ long-lasting legacy.

“Gimme Danger” was a favorite at both the Cannes and Toronto Film Festivals. The movie has been fashioned with affection, insight and energy by Jarmusch (“Stranger Than Paradise,” “Only Lovers Left Alive”), whose personal friendship with Iggy Pop (Jim Osterberg) is reflected in his earlier films “Coffee and Cigarettes” and “Dead Man.” Combining concert footage with animation and engrossing reminiscences, Jarmusch uncovers priceless anecdotes about the band’s stylistic evolution, right down to the way that Iggy’s fascination with Egyptian pharaoh movies influenced his stage presence.

Museum Hours and Admission

9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts hosts Latin Singer Migguel Anggelo for acclaimed Show “Another Son of Venezuela” Nov. 18 Special Friday Night Live! performance presented by Culture Lab Detroit

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(Detroit)— Brooklyn-based, Venezuelan-born dynamo Migguel Anggelo brings his acclaimed show “Another Son of Venezuela” to the Detroit Institute of Arts (DIA) on Nov. 18 as part of its Friday Night Live! concert series. With his virtuosic band The Immigrants and a pair of sensational singers, Anggelo will create a kaleidoscope of vocal theatrics and poetic storytelling that is both hilarious and touching. Presented by Culture Lab Detroit, the performance will take place in the museum’s Detroit Film Theatre auditorium at 7 p.m. and is free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

Developed with and directed by Obie Award winner David Drake and musical director Mau Quiros, “Another Son of Venezuela” explores the very personal immigration themes of love, loss, family and national pride, as well as the challenges of claiming an authentic identity in the United States. By combining Latin, pop and folk music classics with his and Quiros’ original compositions, Anggelo forges a new music-theater experience in an increasingly bilingual world.

“’Another Son of Venezuela’ sheds light on the complexities of being an immigrant in the United States—an experience I know well—and conveys that story in a way that all of our visitors can relate to” said DIA Director Salvador. “The DIA is a place where the arts can function as springboard to bring to the foreground important current issues in our society. Music, in this case, is a language that will help bring a fresh perspective about immigration and foster a better understanding and friendly dialogue within our communities.”
Anggelo began his career at age 13 as Pinocchio in a South American touring production of the Broadway musical. He trained for a dozen years in classical ballet, studied voice at the Conservatory of Music in Cologne, Germany, has written music throughout all of his journeys as an immigrant in several countries and has released two albums. This past summer, Anggelo and The Immigrants performed a 10-city concert tour in Russia as a cultural attaché under the auspices of the U.S. Department of State.

About Culture Lab Detroit
Culture Lab Detroit fosters conversations and collaborations between Detroit and the international design community. Through public discussions, exhibitions, public art projects and creative partnerships, Culture Lab Detroit explores and promotes the vital role of culture in the mindful regeneration of the city. Jane Schulak founded Culture Lab Detroit in 2013 in partnership with the Detroit Creative Corridor Center and the College for Creative Studies.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.
 
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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
 
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts honoring veterans, active service members and families with free admission and special programs Nov. 13 Tours, film, art-making workshops and more part of the festivities

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(Detroit)—The Detroit Institute of Arts (DIA), in collaboration with Wayne County, is offering free museum admission and a variety of special programs to veterans, active service members and their families on Sunday, Nov. 13 in recognition of the Nov. 11 Veterans Day holiday. Attendees should come in through the museum’s John R St. group entrance and sign in at the registration table to take advantage of the day’s offerings. The first 300 participants will receive a 10 percent discount in the museum shop and a free coffee or soft drink with purchase in Café DIA.

The following programs will be offered as part of the festivities:

• Art-making workshops: travel journals and personal flags, noon–4 p.m. (all ages)
• Film: “Where Soldiers Come From,” 1 p.m. (ages 13 and older)
“Where Soldiers Come From” is an intimate look at a group of close friends’ four-year journey as they grow and change from reckless teenagers in Michigan’s Upper Peninsula to soldiers looking for roadside bombs in Afghanistan, to 23-year-old veterans dealing with the silent war wounds of traumatic brain Injury and posttraumatic stress disorder.
• Tours: patriotic artwork in the American galleries, 1 and 3 p.m. (all ages)

Visitors can also view works created by local veterans in the DIA’s eighth annual Community Group Exhibition, on view from Thursday, Nov. 10 to Sunday, Dec. 4 in the Walter Gibbs Learning Center. A variety of projects will be on display, including preparatory drawings and individual paintings made as studies for the Masco Veterans Park mural, painted this summer by veterans and DIA studio staff at the Southwest Solutions Piquette Square housing facility in Detroit. The DIA’s Community Group Program, which is generously supported in part by the Ford Motor Company Fund, has been serving social service agencies in the Detroit area for 20 years, providing meaningful experiences through art with gallery tours and art-making projects.

“Our veterans have made extraordinary contributions and sacrifices for our country, and they are a vital part of the DIA community,” said DIA Director Salvador Salort-Pons. “The DIA offers veterans opportunities for rejuvenation, creativity and connection with friends and family through art, and we are very pleased to honor them on this special day.”

Museum Hours and Admission

9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.
 
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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
 
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts partners with formerly homeless veterans at Piquette Square to create mural Media invited to cover unveiling reception November 4 at 1 p.m.

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(Detroit)—A mural created by formerly homeless veterans residing at Piquette Square will be unveiled at a reception hosted by the Detroit Institute for Arts (DIA), which initiated the mural project, and Southwest Solutions, which owns and operates Piquette Square.

The reception will take place on November 4 at 1 p.m. at Piquette Square, located at 6221 Brush Street in Detroit. The reception is not open to the public, but media are invited to cover the event.

The mural is installed in the Masco Veterans Park at Piquette Square, a 150-unit apartment complex for veterans who were homeless. Muralist and DIA teaching artist Vito Valdez, a veteran himself, was the lead artist and facilitated the creative contributions of a dozen veterans. The mural represents the veterans’ life experiences, optimism and joy as they travelled the world in service, the challenges and despair of being homeless and the peace and happiness in their present home.

“Helping with the design and painting of the mural was therapeutic and fun,” said Thim Johnson, a veteran living at Piquette Square. “All of us who worked on the mural were asked to create something that connected with our inner feelings. We're happy with the way it all came together and turned out.”

Piquette Square is part of the DIA’s Community Group Program, which provides underserved populations with a safe, nurturing environment for creative expression and socialization while building positive relationships within their group, the wider community and the DIA. The DIA’s Studio initiated offsite projects, an offshoot of the Community Group Program, in response to museum Director Salvador Salort-Pons’ community-focused vision for the museum.

“Art can build so many connections in our community,” said Salort-Pons. “This stunning mural not only provided a way for these veterans to share their stories, but also inspires deeper understanding of their experiences for everyone who sees it, creating a more just society for all of us to live in.”

“We strive to provide a broad range of support services and opportunities at Piquette Square to help the veterans rebuild their lives and reintegrate into the community,” said John Van Camp, president of Southwest Solutions. “The veterans who participate in the DIA program truly consider it to be an important part of their recovery and personal growth.”

The Community Group Program at the DIA has been serving social service agencies in the Detroit area for 20 years, providing meaningful experiences through art with gallery tours and hands-on art making. A variety of groups have participated, including cognitively and physically challenged adults, alternative schools, veterans, adults with HIV, adults in recovery and seniors. Current groups in the program include the John D. Dingell VA Medical Center, Hannan House for Seniors, Piquette Square for Veterans and the Macomb-Oakland Regional Center.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts presents “Gala Grandiosa” Annual black-tie gala to celebrate Salvador Salort-Pons’ first year as director

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(Detroit)—There are few events as eagerly anticipated as the Detroit Institute of Arts’ (DIA) annual fundraising gala, and this year is no exception. On Saturday, Nov. 12, the DIA will host “Gala Grandiosa,” celebrating Salvador Salort-Pons’ inaugural year as director. Guests will travel through Salort-Pons’ native Spain in one magical evening featuring sensory feasts, lush gardens, flamenco, fiestas and more. The 2016 chairs are Lauren G. Fisher, Marcia Holland Turner and Janis Wetsman. Proceeds will ensure that the museum continues to serve as a place of inspiration and relevance for generations to come.

Entertainment will be provided by DJ Rock City from Chicago. Forte Belanger will present exquisite culinary masterpieces and sumptuous desserts inspired by Spain.

DIA Director Salvador Salort-Pons began his tenure last October and has been to every gala for the past eight years.

“I am deeply honored that this gala celebrates both my first year as the director of this extraordinary museum and salutes the historic festivals of my native land,” said Salort-Pons. “This evening is about more than festivals, food and fashion. It is about connecting to each other, to our community and the world around us through the power of art.”

“La Hora Loca” late night tickets, featuring a 9 p.m. arrival time with cocktails, light bites, desserts, music and dancing, are still available for $100. Purchase tickets by calling 313-833-7976 or visiting tickets.dia.org.

This year’s generous sponsors are:
Platinum

Colnaghi

Gold
DTE Energy Foundation, Kenwal Steel Corp., Strategic Staffing Solutions

Silver
Delta Air Lines, Ford Motor Company, Honigman Miller Schwartz and Cohn LLP, J. P. Morgan Chase, Lear Corporation, Richard and Jane Manoogian Foundation, McLaren Health Care, Sotheby’s, Talmer Bank and Trust

Bronze
Beaumont Foundation, Thomas and Georgina Russo, Williams Family Fund

Copper
Corporate Travel Service, Fisher and Company, Flagstar Bank, REDICO, UBS Financial Services, DIA Women’s Committee

Additional support is provided by Fiera Capital, Grand Valley State University, Huron Capital, Legacy Oakwood, Lorna Thomas, M.D., P.C, Lyman & Sheets Insurance Agency and Wayne County Community College District. The late night sponsor is Michigan OMS, and the magazine sponsor is Hour Detroit.

In-kind support is provided by William Grant & Sons, GTB/Hudson Rouge, Forte Belanger, Event Source, Dawn Owen Designs and Display Group.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts seeking home movies from around 1967 for project reflecting on the 50th anniversary of 1967 Detroit rebellion

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(Detroit)—The Detroit Institute of Arts (DIA) is seeking home movies for “1967 Detroit: Home Movies,” a year-long project to uncover and exhibit home movies made in the city around 1967 that recorded everyday scenes and personal histories of diverse Detroit residents. The museum is collaborating with the Detroit Free Press, Charles H. Wright Museum of African American History, Wayne State University’s Walter P. Reuther Library of Labor and Urban Affairs, Detroit Historical Society and Bridge magazine to observe and reflect on the 50th anniversary of the 1967 Detroit rebellion.

The DIA is calling on the greater Detroit community to loan their family (or found) home movies to the Detroit Film Theatre (DFT), which will show them weekly beginning in January. Selected films will be included in the Detroit Free Press’ Freep Film Festival (March 3–April 2) and the DFT will present a marathon screening of the films beginning July 29.

“These films will tell a wide range of stories about our community’s experiences in 1967,” said Salvador Salort-Pons, DIA director. “We are looking forward to working together with the community to unearth this extraordinarily important material from our local history. Finding and exploring these films with our community will provide a strong platform to begin to reimagine a more vibrant future for our entire region and country.”

Film lenders will receive a digital copy of their originals, and the Reuther Library and Wright Museum will select films to add to their collections.

This program is made possible with the generous support of the John S. and James L. Knight Foundation.

To submit a home movie, fill out an online submission form. A museum staff person will contact you to discuss your films and make arrangements for their temporary loan to the DIA. Submissions can also be made by calling 313-833-8687 or by emailing Detroit67Film@dia.org.

This program is part of Detroit 67: Looking Back to Move Forward, organized by the Detroit Historical Society.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Martin Luther King, Jr. Day activities, films, live music and more this January at the Detroit Institute of Arts

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(Detroit)—This January the Detroit Institute of Arts (DIA) opens its doors on a Monday to celebrate the life of Martin Luther King, Jr. with a special drop-in workshop, the movie “King: A Filmed Record…Montgomery to Memphis” and tours of the DIA’s African American art collection. In addition to the special programming, the DIA presents the Detroit Institute of Awesome, weekend programs specifically for families with children, along with films, concerts and more.

Programs are free with museum admission and free for residents of Wayne, Oakland and Macomb counties unless otherwise noted. For more information, call (313) 833-7900 or visit www.dia.org.

Exhibitions:
“Bitter|Sweet: Coffee, Tea & Chocolate” on view through March 5
“The Edible Monument: The Art of Food for Festivals” on view through April 16
“Detroit After Dark” on view through April 23

SPECIAL HOLIDAY HOURS

Closed
Sunday, Jan. 1
Open
Monday, Jan. 16, 9 a.m.–4 p.m.

General Guided Tours: Tuesdays–Thursdays, 1 p.m.; Fridays, 1 & 6 p.m.
Enjoy a guided tour of select galleries for an overview of the collection.

General and Family Guided Tours: Saturdays & Sundays, 1 & 3 p.m.
Enjoy a guided tour of select galleries or enjoy family and kid-friendly tours.

55+ Thursdays: 1 p.m.
The first Thursday of the month features a guided gallery tour; the second a talk; the third an art-making activity; and the fourth a film. In months with a fifth Thursday, a second gallery tour will be offered.

Detroit City Chess Club: Fridays, 4–8 p.m.
The club’s mission is to teach area students the game and life lessons. Members have won state, regional and national competitions. People wanting to learn to play chess should show up between 4 and 6 p.m. There will be no teaching between 6 and 8 p.m., but visitors can play chess.

Drawing in the Galleries (for all ages): Fridays, 6–9 p.m.; Sundays, Noon–4 p.m.

Drop-In Workshops (for all ages)
Hours: Fridays, 6–9 p.m., Saturdays & Sundays, Noon–4 p.m.
Coffee, Tea and Chocolate: Friday–Sunday, Jan. 6–8
Write, draw or make a collage about your favorite coffee, tea or chocolate experience. This workshop is in conjunction with the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate.”
Parfleche: Friday–Sunday, Jan. 13–15
A parfleche is a rawhide carrying case used by Plains Indians to hold clothing, valuables, personal items and tools. Make one you can really use with craft papers, markers, beads and leather cords. Visit our Native American galleries to see a real parfleche made around 1880 and decorated by a member of the Crow culture.
Winter Counts: Friday–Sunday, Jan. 20–22
A winter count was used by Native American communities of the Northern Great Plains to
record their histories and to keep track of the passage of years. Use leather and colorful markers to create one of your own.
Empty Bowls Weekend: Friday–Sunday, Jan. 29
Decorate clay bowls provided by the DIA Studio to donate to Cass Community Social Services for its Empty Bowls event. Empty Bowls is an international grassroots effort to raise both money and awareness in the fight to end hunger.

Special Holiday Drop-In Workshops
Three-Hole Pamphlet Stitch Book: Monday, Jan. 16:
11 a.m.–3 p.m.
Inspired by Dr. Martin Luther King, Jr.’s “I Have a Dream” speech, create a book of your dreams using decorative papers bound by a traditional form of stitching.

Friday, January 6
Detroit Film Theatre: “Tampopo”:
7 p.m.
A hapless but enthusiastic young woman embarks on a quest for the perfect noodle. The cinema’s first true “noodle western” has been unavailable on American screens for decades. In Japanese with English subtitles. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Sfogati! “The Edible Monument”: 7 & 8:30 p.m.
Soprano Lorna Young Hildebrandt, cornetto player Kiri Tollaksen and harpsichordist Shin-Ae Chun perform music that complements the exhibition “The Edible Monument: The Art of Food for Festivals.”

Saturday, January 7
Detroit Institute of Awesome: Artist Demonstration:
Noon–4 p.m.
Enjoy an artist demonstration.

Detroit Film Theatre: “Tampopo”: 4 & 7 p.m.
See Jan. 6 for description.

Sunday, January 8
Detroit Institute of Awesome: Artist Demonstration:
Noon–4 p.m.
Enjoy an artist demonstration.

Sunday Music Bar: Iridescent Flutes: 1 & 3 p.m.
Iridescent Flutes plays thought-provoking music that inspires others. Director Melissa-Kay Grey, Sue Whitener and Gail Green make up the group.

Detroit Film Theatre: “Tampopo”: 2 & 4:30 p.m.
See Jan. 6 for description.

Friday, January 13
Friday Night Live: Opera Modo:
7 & 8:30 p.m.
Opera Modo presents J. S. Bach’s Coffee Cantata and other works designed to go with the “Bitter|Sweet: Coffee, Tea and Chocolate” exhibition.

Saturday, January 14
Detroit Institute of Awesome: DFT Animation Club: “James and the Giant Peach”:
2 p.m.
A young boy's discovery of a gigantic peach triggers an eventful journey across the sea in this slightly twisted animated adventure from the dark imagination of Roald Dahl and producer Tim Burton. Tickets: $5 for general admission, free for members.

Sunday, January 15
Sunday Music Bar: Michelle May:
1–4 p.m.
Violinist and flutist Michelle May performs in the classical, jazz and world fusion genres.

Detroit Institute of Awesome: DFT Animation Club: “James and the Giant Peach”: 2 p.m.
See Jan. 14 for description.

Monday, January 16: Martin Luther King, Jr. Day
Drop-in Workshop: Three-Hole Pamphlet Stitch Book:
11 a.m.–3 p.m.
Inspired by Dr. Martin Luther King, Jr.’s “I Have a Dream” speech. Create a book of your dreams using decorative papers bound by a traditional form of stitching.

Guided Tours: African American Art: 1, 2 & 3 p.m.
Enjoy a guided tour through the General Motors Center for African American Art galleries.

Detroit Film Theatre: “King: A Filmed Record…Montgomery to Memphis”: 2 p.m.
Constructed from a wealth of archival footage, this monumental documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968 in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests and arrests are interspersed with scenes of high-profile supporters and opponents of the cause. Free with museum admission.

Friday, January 20
Friday Night Live: The Michigan Philharmonic: Miniature Masterpieces:
7 & 8:30 p.m.
This performance features the Michigan Philharmonic in Bohuslav Martinu’s Nonet, William Grant Still’s Serenade for Flute, Harp and String Quartet, Judith Shatin’s Spin and Louise Farrenc’s Nonet in E-flat Major.

Saturday, January 21
Detroit Institute of Awesome: International Coffee and Tea Summit:
Noon–4 p.m.
The Friends of Asian Arts and Cultures invites you to explore Arabic, Chinese, Indian and Japanese coffee and tea traditions, which have heavily influenced the coffee and tea cultures of Western society. Experience traditional serving ceremonies along with tastings, cultural performances, traditional coffee and tea objects and clothing, as well as demonstrations and hands-on activities.

Sunday, January 22
Detroit Institute of Awesome: International Coffee and Tea Summit:
Noon–4 p.m.
See Jan. 21 for description.

Sunday Music Bar: Xiao Dong Wei: 1–4 p.m.
Xaio performs traditional and contemporary Chinese music in conjunction with the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate.”

Friday, January 27
Friday Night Live: The Music of Neil Rolnick:
7 & 8:30 p.m.
Composer Neil Rolnick pioneered the use of computers in musical performance beginning in the late 1970s. Rolnick performs music from his latest recording, “Ex Machina,” featuring cellist Ashley Bathgate and saxophonist Ted Nash.

Saturday, January 28
Detroit Film Theatre: “Burn!”:
3 p.m.
“Burn!” (Queimada!) stars Marlon Brando as a British mercenary who instigates a slave revolt on a Caribbean island in the 1800s to take control of the sugar trade. Presented in conjunction with the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate.” Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Sunday, January 29
Sunday Music Bar: Mick Dobday:
1–4 p.m.
Pianist Mick Dobday performs avant-garde, contemporary, Latin and classical jazz standards.

Detroit Institute of Awesome: Nayika Project: 2 p.m.
Hip Hop artist Paige Hernandez and Kuchipudi dancer Chitra Kalyandurg fuse dance, theatre and spoken word to give a contemporary spin to tales of resilient, relatable heroines from Indian myth.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

DIA studio staff worked w/ veterans living at @SWSolDetroit Piquette Square to create this beautiful mural. Today the mural was unveiled :0

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(Detroit)—The Detroit Institute of Arts (DIA) has received a grant from the Samuel H. Kress Foundation in support of a 2016–17 Kress Interpretive Fellowship at Art Museums. The award is the second in recognition of the DIA's commitment to innovative interpretation and professional development in the museum field.

Jehan Mullin was awarded the fellowship and will work in the DIA’s award-winning department of interpretation, which develops dynamic ways to engage visitors in discovering meaning in art. In collaboration with curators, exhibition designers and other colleagues, she will work on various projects including the DIA’s popular Inside|Out program and the exhibition “Frederic Church: To Jerusalem and Back” opening next year. Mullin will also participate in the last phase of interpretive development and shadow the interpretive planners during installation of the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate,” which opens Nov. 20.

Mullin is a PhD candidate in the Program in American Studies at Purdue University with research and training interests in museum studies, cultural studies and cultural anthropology. She participated in the Smithsonian Institute in Museum Anthropology initiative, funded by the National Science Foundation, which trains scholars in museum-based research, ethics and practice. Informed by her training in critical ethnography, Mullin’s approach to museum interpretation is inspired by her commitment to long-term community engagement, collaboration and public scholarship.

“Developing new and innovative ways for our visitors to connect to art and with each other is a vital part of what we do, said Salvador Salort-Pons, DIA director. “Jehan Mullin’s interdisciplinary interests in community collaboration and pushing the boundaries of new research and scholarship align perfectly with our commitment to creating rich, meaningful experiences for all of our visitors and communities.”

The Kress Interpretive Fellowship at Art Museums program provides a new kind of mentored professional development opportunity within American art museums. The program is intended to encourage students to explore interpretive careers in art museums, whether as future museum educators or curators; to strengthen the profession of museum educator within the art museum community; to strengthen ties between museum educators and curators in the shared task of interpretive programming in art museums; and to expand the range of promising career options available to students of art history and related fields.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts receives grant from the Samuel H. Kress Foundation to support fellowship Museum welcomes Jehan Mullin as Kress Interpretive fellow

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(Detroit)—The Detroit Institute of Arts (DIA) has received a grant from the Samuel H. Kress Foundation in support of a 2016–17 Kress Interpretive Fellowship at Art Museums. The award is the second in recognition of the DIA's commitment to innovative interpretation and professional development in the museum field.

Jehan Mullin was awarded the fellowship and will work in the DIA’s award-winning department of interpretation, which develops dynamic ways to engage visitors in discovering meaning in art. In collaboration with curators, exhibition designers and other colleagues, she will work on various projects including the DIA’s popular Inside|Out program and the exhibition “Frederic Church: To Jerusalem and Back” opening next year. Mullin will also participate in the last phase of interpretive development and shadow the interpretive planners during installation of the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate,” which opens Nov. 20.

Mullin is a PhD candidate in the Program in American Studies at Purdue University with research and training interests in museum studies, cultural studies and cultural anthropology. She participated in the Smithsonian Institute in Museum Anthropology initiative, funded by the National Science Foundation, which trains scholars in museum-based research, ethics and practice. Informed by her training in critical ethnography, Mullin’s approach to museum interpretation is inspired by her commitment to long-term community engagement, collaboration and public scholarship.

“Developing new and innovative ways for our visitors to connect to art and with each other is a vital part of what we do, said Salvador Salort-Pons, DIA director. “Jehan Mullin’s interdisciplinary interests in community collaboration and pushing the boundaries of new research and scholarship align perfectly with our commitment to creating rich, meaningful experiences for all of our visitors and communities.”

The Kress Interpretive Fellowship at Art Museums program provides a new kind of mentored professional development opportunity within American art museums. The program is intended to encourage students to explore interpretive careers in art museums, whether as future museum educators or curators; to strengthen the profession of museum educator within the art museum community; to strengthen ties between museum educators and curators in the shared task of interpretive programming in art museums; and to expand the range of promising career options available to students of art history and related fields.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Game on! New gallery games for kids and their adults at Detroit Institute of Arts Art Carts with games for all ages available beginning Nov. 25

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(Detroit)—Beginning Nov. 25, just in time for the Thanksgiving holiday break, the Detroit Institute of Arts (DIA) is debuting games for families to play together in the galleries. The games are geared towards ages 3 to 12, with a few specifically tailored for 3 to 5-year-olds. They range from simple matching activities for the youngest visitors to word games that provide friendly competition for the entire family. The games were tested on various age groups so they are all “kid approved.”

Some games require only a pencil and paper while more elaborate ones need to be checked out and returned. Playing the games is free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

“These games are a great way for even our youngest visitors to connect to art,” said Salvador Salort-Pons, DIA director. “Families can engage with each other and have fun at the museum, building a lifelong love of art.”

Games include 10 Art Questions, Art Fortune Teller and Apples to Art, similar to the popular Apples to Apples game. The youngest visitors will enjoy taking a board with pictures of animals on it around the galleries to hunt for those animals in artworks. They can also spin a color wheel to find the color landed on in a work of art.

The new games are in addition to the ever-popular Eye-Spy games that are interspersed throughout museum galleries and are a favorite among all ages.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts Detroit Film Theatre screens “Daughters of the Dust” Nov. 25–27 Conversation about themes surrounding groundbreaking movie follows final showing on Nov. 27

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(Detroit)—The Detroit Film Theatre (DFT) at the Detroit Institute of Arts (DIA) is showing the landmark movie “Daughters of the Dust” Nov. 25 and 26 at 7 p.m. and Nov. 27 at 2 p.m. On Nov. 27 at 4:30 p.m. interdisciplinary artist Jova Lynne and cultural producer Njia Kai will discuss the movie’s themes and talk about their experiences as women creators. Kai will also talk about her work on the film as a camerawoman. The dialogue will be followed by a short Q+A session.

“We are honored to celebrate this landmark film,” said Salvador Salort-Pons, DIA director. “Elevating the artistic practice of women and African American filmmakers is an important aspect of celebrating the diversity of our world, and a critical component of creating new understanding.”

“Daughters of the Dust,” is a 1991 independent film written, directed and produced by Julie Dash, and the first feature film directed by an African American woman to be distributed theatrically in the United States. In 2004, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant."

Set in 1902, “Daughters of the Dust” tells the story of three generations of Gullah women, whose ancestors were brought to the islands off the coast of South Carolina and Georgia as enslaved people centuries ago. The Gullah developed a language and culture that was creolized from West Africans, which the film beautifully captures.

The story centers on women in the Peazant family, including daughters who have come back for a last dinner on the island before most leave for the North. The movie is narrated by the “Unborn Child,” and is influenced by accounts of ancestors, represented especially by Nana Peazant, the matriarch. She says, "We are two people in one body. The last of the old and the first of the new."

“Daughters of the Dust” explores the intergenerational tension between the nuanced naivety of the younger generation and the subtle wisdom of the old. It looks at what is lost when traditional ideals and expectations are dismissed, and what happens when general archetypes associated with women are dismantled and redefined altogether. As the story unfolds, it raises issues of the multiplicity of identity, black subjectivity and the creolization of cultures, with a focus on the black woman.

There is no charge to attend the conversation on Nov. 27, but tickets for the movie are $9.50 for general admission, $7.50 for DIA members, seniors and students.

The Nov. 27 discussion is hosted by the DFT, DIA and the Black Artists Meet Up (BAMU). BAMU was established in response to the underrepresentation of black artists, writers and critics in the professional arts world. Each month, BAMU brings together emerging and established Detroit black artists and critics for conversation around contemporary artistic practice.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.


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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts names Laurie Ann Farrell as curator and department head of contemporary art Bolsters department with appointment of two assistant curators

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(Detroit)—The Detroit Institute of Arts (DIA) has hired Laurie Ann Farrell as curator and department head of contemporary art. In addition, Taylor Renee Aldridge and Lucy Mensah are joining the DIA as assistant curators in the contemporary art department.

“Contemporary art will play a vital role in connecting with our community, so it was critical to fully staff our contemporary art department,” said Salvador Salort-Pons, DIA director. “Laurie brings with her a strong track record of engagement and of building relationships with local artists. As a team, she, Taylor and Lucy will bring a renewed focus to our outstanding contemporary art collection and develop new projects and programs to create deeper connections between the museum and our community.”

Laurie Farrell
Farrell comes to the DIA from the Savannah College of Art and Design (SCAD) where she was executive director of exhibitions initiatives. She directed exhibition programming for the SCAD Museum of Art and SCAD FASH, its museum of fashion and film, as well as the university’s galleries in Atlanta, Hong Kong and Lacoste, France. Farrell is currently an art consultant for the new Mercedes-Benz Stadium Art Collection in Atlanta and curator of the first Rolls-Royce art program in North America.

Farrell has curated exhibitions of work by a diverse group of prominent contemporary artists, among them Marina Abramovic, Doug Aitken, Carrie Mae Weems, Yinka Shonibare, Alfredo Jaar, Michael Joo, Sigalit Landau, Stephen Antonakos, Cao Fei, Kader Attia and Yeondoo Jung.

Farrell was curator of contemporary art at the Museum for African Art in New York City from 1998 to 2007, where she curated the exhibitions “Personal Affects: Power and Poetics in Contemporary South African Art” and “Looking Both Ways: Art of the Contemporary African Diaspora.”

In 2006, Farrell organized American participation at Angola’s inaugural Trienal de Luanda with support and funding from the U.S. Department of State. Farrell received the Abraaj Capital Art Prize with artist Kader Attia in 2010, the ArtTable New Leadership award in 2011 and the Southeast Museum Conference 2015 Museum Leadership Award. Farrell is widely published in art journals and has lectured throughout the Americas, Africa and Europe. She earned a Bachelor of Fine Arts in art history from the University of California, Santa Barbara, and a Master of Fine Arts in art history and theory from the University of Arizona.

Taylor Aldridge

Aldridge is a Detroit-based cultural critic, arts writer and curator who investigates the intersections of equity, race and culture in contemporary art. In 2015, along with Jessica Lynne, she co-founded ARTS.BLACK, an online publication of art criticism from black perspectives, predicated on the belief that art criticism should be an accessible dialogue—a tool to question, celebrate and talk back to the global world of contemporary art.

Aldridge earned a master’s degree in liberal arts from Harvard University, with a concentration in museum studies and a Bachelor of Arts from Howard University with a concentration in art history and business administration. She has worked at the Ethelbert Cooper Gallery of African & African American Art at Harvard and was awarded the Goldman Sachs Junior Fellowship at the Smithsonian National Museum of American History.

Lucy Mensah
Mensah is currently a Jane and Morgan Whitney Fellow in the modern and contemporary department at the Metropolitan Museum of Art, New York. She is a recent graduate of Vanderbilt University, Nashville, Tennessee, where she obtained her Ph.D. in English, with a focus on 20th-century African American literary and visual culture. She holds a Bachelor of Arts in English from Bucknell University, Lewisburg, Pennsylvania, and a Master’s in Cultural Studies from Carnegie Mellon University, Pittsburg. Mensah’s museum experience includes a research fellowship at the Smithsonian’s National Museum of American History in Washington, D.C. and a curatorial internship at the Frist Center for the Visual Arts in Nashville.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Come celebrate Black History Month, the Chinese New Year and Valentine’s Day this February at the Detroit Institute of Arts

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(Detroit)—This February, the Detroit Institute of Arts (DIA) presents special programming and tours for Black History month, the Chinese New Year and Valentine’s Day, along with live music, artist demonstrations, storytelling for the whole family and the 2017 Academy Award® Nominated Short Films at the Detroit Film Theatre.

Programs are free with museum admission and free for residents of Wayne, Oakland and Macomb counties unless otherwise noted. For more information, call (313) 833-7900 or visit www.dia.org.

Exhibitions:
“Bitter|Sweet: Coffee, Tea & Chocolate” on view through March 5
“The Edible Monument: The Art of Food for Festivals” on view through April 16
“Detroit After Dark” on view through April 23

General Guided Tours: Tuesdays–Thursdays, 1 p.m.; Fridays, 1 & 6 p.m.
Enjoy a guided tour of select galleries for an overview of the collection.

General and Family Guided Tours: Saturdays & Sundays, 1 & 3 p.m.
Enjoy a guided tour of select galleries or enjoy family and kid-friendly tours.

55+ Thursdays: 1 p.m.
The first Thursday of the month features a guided gallery tour; the second a talk; the third an art-making activity; and the fourth a film. In months with a fifth Thursday, a second gallery tour will be offered.

Detroit City Chess Club: Fridays, 4–8 p.m.
The club’s mission is to teach area students the game and life lessons. Members have won state, regional and national competitions. People wanting to learn to play chess should show up between 4 and 6 p.m. There will be no teaching between 6 and 8 p.m., but visitors can play chess.

Drawing in the Galleries (for all ages): Fridays, 6–9 p.m.; Sundays, Noon–4 p.m.

Drop-In Workshops (for all ages)
Hours: Fridays, 6–9 p.m., Saturdays & Sundays, Noon–4 p.m.
Chinese Dragon Faces: Friday–Sunday, Feb. 3–5
Write, draw or make a collage about your favorite coffee, tea or chocolate experience. This workshop is offered in conjunction with the exhibition “Bitter|Sweet: Coffee, Tea & Chocolate.”
Collage Portraits: Friday–Sunday, Feb. 10–12
In honor of Black History Month, create a collage inspired by African Americans who are meaningful to you or have influenced your life in a positive way. Collage a portrait using markers, decorative papers, fabric and a polaroid picture taken in the studio.
Senufo Painting: Friday–Sunday, Feb. 17–19
Explore this West African form of painting on fabric.
Coffee, Tea & Chocolate: Friday–Sunday, Feb. 24–26
Write, draw or make a collage about your favorite coffee, tea or chocolate experience using a variety of materials. This workshop is offered in conjunction with the special exhibition, “Bitter|Sweet: Coffee, Tea and Chocolate”.

Thursday, February 2
Detroit Film Theatre: “Coffee and Cigarettes”:
7 p.m.
“Coffee and Cigarettes” is an anthology of shorts by director Jim Jarmusch, of musicians and actors conversing over coffee. The cast includes Bill Murray, Jack and Meg White, Iggy Pop, Cate Blanchett, Cinqué Lee and others. This film is in conjunction with the special exhibition, “Bitter|Sweet: Coffee, Tea & Chocolate.” Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday, February 3
Detroit Film Theatre: “Pioneers of African-American Cinema”:
7 p.m.
A festival of newly restored, rare African American independent feature films and shorts, made between 1915 and 1940, launches Black History Month activities at the DIA. Specific titles and full program content will be available on the DIA website and on the Detroit Film Theatre printed brochure. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Saturday, February 4
Detroit Film Theatre: “Pioneers of African-American Cinema”:
3, 7 & 9:30 p.m.
See Feb. 3 for description.

Sunday, February 5
Detroit Institute of Awesome: Ivan Day and the Edible Monument:
Noon–4 p.m.
Take a close look at a gingerbread sculpture created by culinary historian Ivan Day, using traditional tools and techniques. While supplies last, a number of participants will be able to create their own small sculpture to take home. This program is in conjunction with the special exhibition “The Edible Monument: The Art of Food for Festivals” on display through April 16, 2017

Sunday Music Bar: Benny Rubin, Jr.: 1 & 3 p.m.
Young saxophonist Benny Rubin, Jr. carries on the Detroit jazz legacy of Wendell Harrison and Marcus Belgrave.

Detroit Film Theatre: “Pioneers of African-American Cinema”: 3 & 6 p.m.
See Feb. 3 for description.

Friday, February 10
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
7 p.m.
The 2015 Oscar® Shorts program presents the nominees in both the live-action and animated short film categories, with an intermission between the two. Advance ticket purchase is strongly recommended. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Lara Downes: “America Again”: 7 & 8:30 p.m.
Pianist Lara Downes explores the meaning of "America" in these turbulent times through the lens of her own mixed African American and Eastern European heritage.

Saturday, February 11
Detroit Institute of Awesome: Chinese New Year Celebration:
Noon–4 p.m.
Celebrate the Chinese Year of the Rooster at the DIA with performances, demonstrations, displays and hands-on activities. Watch performances of a traditional Lion Dance or modern Chinese yo-yoing, explore examples of Chinese calligraphy and paintings, and craft an art object of your own in these activities sponsored by the Friends of Asian Arts and Culture.

Detroit Film Theatre: 2017 Academy Award® Nominated Short Films: 7 p.m.
See Feb. 10 for description.

Sunday, February 12
Detroit Institute of Awesome: Chinese New Year Celebration:
Noon–4 p.m.
See Jan. 14 for description.

Detroit Film Theatre: 2017 Academy Award® Nominated Short Films: 1 & 6 p.m.
See Feb. 10 for description.

Arts + Minds: Alison Saar: Conjuring an Africana Aesthetic: 2 p.m.
This talk will connect Saar's work to larger issues of cultural expression potentially disconnected from racial categorization and rooted in culture and experience.
Sunday Music Bar: Ahya Simone: 1–4 p.m.
Harpist Ahya Simone performs classical music in Kresge Court.

Thursday, February 16
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
7 p.m.
See Feb. 10 for description.

Friday, February 17
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
7 p.m.
See Feb. 10 for description.

Friday Night Live: TBD
Enjoy a live musical performance.

Saturday, February 18
Detroit Institute of Awesome: Hearts of Donald Calloway:
Noon–4 p.m.
Detroit multimedia artist Donald Calloway displays some of his varied work and helps visitors create art of their own using found objects and the heart motif.

Detroit Film Theatre: 2017 Academy Award® Nominated Documentary Shorts: 1 p.m.
Before the Oscars are handed out on Feb. 26, see the nominated short documentary films. The program is recommended for ages 17 and older. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Detroit Film Theatre: 2017 Academy Award® Nominated Short Films: 7 p.m.
See Feb. 10 for description.

Sunday, February 19
Sunday Music Bar: Ian Finkelstein:
1 & 3 p.m.
Ian Finkelstein is a Detroit jazz pianist, producer, composer and educator.

Arts + Minds: “The Cups that Cheer”: Coffee, Tea & Chocolate in Early America: 2 p.m
The introduction of coffee, tea, and chocolate to 17th century Europe and America revolutionized diet and social customs forever. In this lecture Beth Carver Wees will explore the range of silver vessels used by early Americans.

Detroit Film Theatre: 2017 Academy Award® Nominated Short Films: 1 & 6 p.m.
See Feb. 10 for description.

Detroit Institute of Awesome: Hearts of Donald Calloway: Noon–4 p.m.
See Feb. 18 for description.

Thursday, February 23
Detroit Film Theatre: 2017 Academy Award® Nominated Documentary Shorts:
7 p.m.
See Feb. 18 for description.

Friday, February 24
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
7 p.m.
See Feb. 10 for description.

Friday Night Live: TBD

Saturday, February 25
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
1 p.m.
See Feb. 10 for description.

Detroit Institute of Awesome: La’Ron Williams: 2 p.m.
La’Ron Williams folk tales of African and African-American traditions, as well as stories from his own life that teach important lessons about self-esteem, self-reliance and perseverance.

Sunday, February 26
Detroit Film Theatre: 2017 Academy Award® Nominated Short Films:
1 p.m.
See Feb. 10 for description.

Sunday Music Bar: Chace “Mic Write” Morris: 2 p.m.
Chace "Mic Write" Morris is a writer, performer and educator from Detroit and was listed one of the "Top 5 Poets in Detroit" by the Metro Times.

Detroit Institute of Awesome: La’Ron Williams: 2 p.m.
See Feb. 25 for description.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Detroit Institute of Arts’ Friends of the Detroit Film Theatre and The Secret Society of Twisted Storytellers present “The Whiz of the Wiz: Story Time with Choreographer & Director George Faison”

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(Detroit)—The Detroit Institute of Arts’ (DIA) Arts’ Friends of the Detroit Film Theatre and The Secret Society of Twisted Storytellers present “The Whiz of the Wiz: Story Time with Choreographer & Director George Faison” on Dec. 16 at 8 p.m.

The live multimedia storytelling event is directed by internationally celebrated producer, composer, choreographer, director, writer and dancer George Faison, who won a Tony Award for Best Choreography for “The Wiz” in 1975, making history as the first African American to win a Tony. Faison also choreographed the films “Josephine Baker” and “The Cotton Club” and is a former dancer and choreographer with Alvin Ailey.

This special event features excerpts from theatre, film and concerts Faison has choreographed and includes live musical and dance performances accompanied by an orchestra. Les Gold, star of Pawn Stars is also featured.

Tickets are $50 for main floor front, $40 for main floor and balcony front, and $30 for upper balcony and are available at the DIA Box Office, by phone at 313-833-4005 or online at http://bit.ly/whizofwiz.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts announces four new board members New members bring variety of experience, expertise to DIA board

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(Detroit)—The Detroit Institute of Arts (DIA) announced the election of four new board members at a board meeting on Wednesday, November 16. They are Dr. Celeste Watkins-Hayes, associate professor of sociology and African American studies at Northwestern University, Illinois; Tony Saunders, chief financial officer and chief restructuring officer for Wayne County; Padma Vattikuti, co-founder of the Vattikuti Foundation; and John D. Lewis, head of investment banking firm Donnelly Penman & Partners’ investment committee and advisory board member of the Donnelly Penman Fund, LLC.

“Our new board members are all leaders in their respective fields,” said Eugene A. Gargaro, Jr., DIA board chair. “Their love of art and dedication to improving our community will help the museum continue to grow and serve the diverse populations of Detroit and Michigan.”

Dr. Celeste Watkins-Hayes
Celeste Watkins-Hayes is an associate professor of sociology and African American studies at Northwestern University. She is widely recognized for her research on public policies and governmental agencies targeting low-income families and her work on the social and economic consequences of HIV/AIDS for Chicago-area women.

Watkins-Hayes is also a faculty fellow at Northwestern's Institute for Policy Research and Cells (C2S) to Society: The Center on Social Disparities and Health. She is former chair of the Department of African American Studies at Northwestern, one of the top African American Studies departments in the country and home to one of the few Ph.D. programs in African American Studies offered in the United States.

Watkins-Hayes holds a Ph.D. and M.A. in sociology from Harvard University and a B.A. from Spelman College, where she graduated summa cum laude. She serves on the board of trustees of Spelman College and the advisory board of the Spelman College Women’s Research and Resource Center.

Watkins-Hayes was born and raised in the Detroit area before leaving to attend Spelman College. She returned to Detroit, where her family still resides, five years ago with her husband and their two young children.

Tony Saunders
Tony Saunders is chief financial officer and chief reconstruction officer for Wayne County. Saunders was most recently a director at Conway MacKenzie, a turnaround and restructuring firm. Prior to joining Conway MacKenzie, Saunders was appointed as emergency manager for the city of Benton Harbor, MI. He has also served in advisory roles for the Michigan Department of Treasury and the Detroit City Council.

Saunders was a 2011 Crain's Detroit Business’ 20 in Their 20s honoree when he was chief of staff for former Detroit City Council member and president Saunteel Jenkins. Currently, he is deeply engaged in the restructuring of Wayne County’s $52 million deficit. Saunders is a former DIA Founders Junior Council board member and currently serves on the DIA board’s Learning and Interpretation committee.

Saunders is a graduate of the University of Michigan and serves as a member of the board of the Coalition on Temporary Shelter.

Padma Vattikuti
Padma Vattikuti, who was born in India, is co-founder of the Vattikuti Foundation, which serves communities in southeastern Michigan, as well as causes in India and other parts of the world. The foundation established the Vattikuti Urology Institute at Henry Ford Hospitals, the Vattikuti Digital Breast Diagnostic Center at Beaumont Hospitals in 2007, and more recently the Women's Health Care Center with Providence Hospitals. The foundation also creates infrastructure to reach people in poverty through the Poverty Alleviation Initiative Program in India.

Vattikuti has an undergraduate degree in sciences from RA University in Hyderabad, India and a master’s degree in biochemistry, genetics and nutrition from Venkateswara University, India. Vattikuti has served on the boards of Wayne State University’s Merrill Palmer Institute, Red Cross Southeastern Michigan Chapter, Michigan Asian Business Council, Pérez Art Museum Miami and as a member of the DIA auxiliary group Asian and Islamic Art Forum, now known as the Friends of Asian Arts and Culture.

Vattikuti is an avid art collector, with a special interest in Indian, Southeast Asian and contemporary art. The Vattikutis reside in Bloomfield Hills and Miami Beach.

John D. Lewis
John D. Lewis is head of the investment committee at the investment banking firm Donnelly Penman & Partners and an advisory board member of the Donnelly Penman Fund, LLC, which invests in small community start-up banks across the U.S. He joined Donnelly Penman from Comerica Bank, where he had a 36-year career. While at Comerica he served as vice chairman, director of Comerica Incorporated and Comerica Bank, and as a member of the management policy committee and management council. Lewis joined Flagstar in 2012 as nonexecutive chairman of the boards of the company and the bank.

Lewis is active in leadership positions in many civic and community organizations, serving as nonexecutive chairman of Beaumont Health System and the University of Detroit Mercy. He also is a trustee of the Community Foundation for Southeast Michigan, and past chairman of the Greater Detroit Area Health Council and New Detroit, Inc. Lewis is the past vice-chairman of the DIA Board and former chair of the DIA’s Human Resources and Development committees.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA's collection is known for its quality, range, and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Cultural demonstrations, live performances, films and more this March at the Detroit Institute of Arts

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(Detroit)—This March, the Detroit Institute of Arts (DIA) presents the popular cultural demonstration Japanese Girls Day, the 2017 Academy Award® Nominated Short Films at the Detroit Film Theatre, along with drop-in workshops and live music. Don’t forget, March marks the last chance to see “Bitter|Sweet: Coffee, Tea and Chocolate,” on view until Sunday, March 5.

Programs are free with museum admission and free for residents of Wayne, Oakland and Macomb counties unless otherwise noted. For more information, call (313) 833-7900 or visit www.dia.org.

Exhibitions:
“Bitter|Sweet: Coffee, Tea & Chocolate” on view through March 5
“The Edible Monument: The Art of Food for Festivals” on view through April 16
“Detroit After Dark” on view through April 23

General Guided Tours: Tuesdays–Thursdays, 1 p.m.; Fridays, 1 & 6 p.m.
Enjoy a guided tour of select galleries for an overview of the collection.

General and Family Guided Tours: Saturdays & Sundays, 1 & 3 p.m.
Enjoy a guided tour of select galleries or enjoy family and kid-friendly tours.

55+ Thursdays: 1 p.m.
The first Thursday of the month features a guided gallery tour; the second a talk; the third an art-making activity; and the fourth a film. In months with a fifth Thursday, a second gallery tour will be offered.

Detroit City Chess Club: Fridays, 4–8 p.m.
The club’s mission is to teach area students the game and life lessons. Members have won state, regional and national competitions. People wanting to learn to play chess should show up between 4 and 6 p.m. There will be no teaching between 6 and 8 p.m., but visitors can play chess.

Drawing in the Galleries (for all ages): Fridays, 6–9 p.m.; Sundays, Noon–4 p.m.

Drop-In Workshops (for all ages)
Hours: Fridays, 6–9 p.m., Saturdays & Sundays, Noon–4 p.m.
Response to Thalassa: Friday–Sunday, March 3–5
Inspired by the installation of “Thalassa,” created by artist Caledonia Curry, known as Swoon, this community art project will be created and displayed in the DIA’s Learning Center.
Japanese Stab-Bound Books: Friday–Sunday, March 10–12
Create a simple book using a traditional form of stitching.
Milagros: Friday–Sunday, March 17–19
A milagro is a small item people offer to saints that they feel have assisted them. Use air-drying clay and make one of your own.
Asafo Flags: Friday–Sunday, March 24–26
Asafo flags were created by the people of Ghana during the 17th century to illustrate proverbs. Make one of your own.
Open Studio: Friday, March 31
Create something uniquely personal with a variety of art-making materials in this free-form workshop.

Friday, March 3
Detroit Film Theatre: The 2017 Academy Award® Nominated Short Films:
7 p.m.
The 2017 Oscar® Shorts program presents the five nominees in both the live-action and animated short film categories, with an intermission between the two. Advance ticket purchase is strongly recommended. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Invisible Anatomy: 7 & 8:30 p.m.
Invisible Anatomy incorporates elements from classical, jazz, experimental rock, performance art and theater.

Saturday, March 4
Detroit Film Theatre: The 2017 Academy Award® Nominated Short Films:
7 p.m.
See March 3 for description.

Sunday, March 5
Cultural Demonstration: Japanese Girls' Day:
1 p.m.
Celebrate Japanese Girls’ Day, or Hinamatsuri, with demonstrations of ikebana flower arranging, tea ceremonies, furoshiki wrapping and kimono-sash tying.

Detroit Film Theatre: The 2017 Academy Award® Nominated Short Films: 1 & 6 p.m.
See March 3 for description.

Sunday Music Bar: Elden Kelly:
1–4 p.m.
Elden Kelly, known for classically influenced jazz and world music, plays the Glissentar, an 11-string fretless guitar.

Thursday, March 9
Arts + Minds: “Stuart Davis: In Full Swing”:
6:30 p.m.
Harry Cooper, co-curator of the 2016 Whitney Museum of American Art exhibition, presents “Stuart Davis: In Full Swing,” providing an insider’s view of the exhibition, combining biography with close readings of several key paintings. He pays particular attention to Davis’s preference for working in series and the occasions the artist used older works as a springboard for new ones.

Friday, March 10
Detroit Film Theatre: “The Brand New Testament”:
7 p.m.
Nominated for a Golden Globe® for Best Foreign Film, “The Brand New Testament,” a dark, witty comedy, explores people’s response when a text message is sent to each person on earth containing a date of death. In French with English subtitles. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Grand Band: 7 & 8:30 p.m.
Grand Band is a piano sextet from New York City featuring pianists Vicky Chow, David Friend, Paul Karekis, Blair McMillen, Lisa Moore and Isabelle O’Connell.
 
Saturday, March 11
DFT Animation Club: “Ocean Waves”: 2 p.m.
Taku and his best pal are headed back to school, but find their friendship tested by the arrival of Rikako, a beautiful new transfer student. When Taku joins her on a trip to Tokyo, rumors abound throughout the school, and the three friends are forced to come to terms with their changing relationships. Suggested for audiences 12 and older. In Japanese with English subtitles. Tickets: $5 for general admission, free for DIA members.

Detroit Film Theatre: “The Brand New Testament”: 7 p.m.
See March 10 for description.

Sunday, March 12
Sunday Music Bar: Mike Monford:
1 & 3 p.m.
Jazz composer, arranger and alto saxophonist Mike Monford and his trio perform jazz.

DFT Animation Club: “Ocean Waves”: 2 p.m.
See March 11 for description.

Detroit Film Theatre: “The Brand New Testament”: 4:30 p.m.
See March 10 for description.

Friday, March 17
Detroit Film Theatre: “Kedi”:
7 p.m.
“Kedi” is a documentary about cats that have freely roamed through Istanbul for centuries, bringing joy and purpose to their chosen individuals. In Turkish with English subtitles. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Mike Monford & Detroit Effervescence featuring Marc Cary: 7 & 8:30 p.m.
Mike Monford, Detroit Effervescence and Marc Cary perform music from Monford’s latest album, “The Cloth I’m Cut From.”

Saturday, March 18
Artist Demonstration: Society of American Period Furniture Markers: 10 a.m.–4 p.m.
Members of the Society of American Furniture Makers demonstrate traditional construction techniques. Enjoy a guided tour of the DIA’s 18th-century furniture collection and participate in a tool-box building workshop. Tours run from 11 a.m. to 3 p.m. every half hour, departing from the Great Hall; the workshop runs from noon to 3 p.m. or as supplies last. Recommended for children ages 5 to 12.

Detroit Film Theatre: “Kedi”: 7 p.m.
See March 17 for description.

Sunday, March 19
Artist Demonstration: Society of American Period Furniture Markers:
10 a.m.–4 p.m.
See March 18 for description.

Sunday Music Bar: Buddy Budson: 1–4 p.m.
Detroit pianist Buddy Budson performs jazz and pop standards.

Detroit Film Theatre: “Kedi”: 2 p.m.
See March 17 for description.

Friday, March 24
Arts + Minds: “Better Living Through Criticism”:
7:30 p.m.
Author and journalist A. O. Scott believes we are all critics. Using his career as chief film critic for the New York Times as a starting point, he illuminates how critical thinking informs almost every aspect of artistic creation, civil action and our interpersonal lives.

Friday Night Live: Art Lab J: 7 & 8:30 p.m.

Saturday, March 25
Detroit Film Theatre: A. O. Scott Selects: “Symbiopsychotaxiplasm: Take One”:
3 p.m.
Director William Greaves presides over a film crew in New York’s Central Park documenting screen test of two actors performing a break-up scene over and over. A second crew films the first while locals wander into the frame. New York Times film critic A. O. Scott introduces this fiction/nonfiction hybrid in person. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Sunday, March 26
Detroit School of Rock & Pop:
Time to be determined
Join the Detroit School of Rock and Pop for a concert showcasing the musical talents of Metro Detroiters. Sponsored by Live the Music Foundation. Recommended for families with children of all ages.

Sunday Music Bar: Spencer Barefield: 1-4 p.m.
Guitarist/composer A. Spencer Barefield performs contemporary works.

Thursday, March 30
Arts + Minds: Coleman Mopper Memorial Lecture: “Cultural Heritage or Humanity’s Heritage: What’s the Difference?”:
6:30 p.m.
The destruction of temples in Palmyra in present-day Syria, mausoleums in Mali, West Africa and the Buddhas of Bamiyan in Afghanistan have been decried as acts against global “cultural heritage.” President and CEO of the J. Paul Getty Trust James Cuno raises question about whether cultural property belongs to an individual nation’s cultural heritage or instead should be thought of as humanity’s heritage.

Friday, March 31
Detroit Film Theatre: 2017 Freep Film Festival:
TBA
Documentaries with strong connections to Detroit and Michigan is the focus of this year’s Freep Film Festival. To see the full lineup, visit freepfilmfestival.com, @freep_film_fest, Freep Film Festival on Facebook or dia.org. Tickets: $9.50 for general admission and $7.50 for members, seniors and students.

Friday Night Live: Danilo Brito: 7 & 8:30 p.m.
Mandolin player Danilo Brito performs choro, the first characteristically Brazilian genre of popular music.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

International coffee and tea festival at Detroit Institute of Arts celebrates Arabic, Japanese, Indian and Chinese traditions with music, dance, demonstrations and games

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(Detroit)—The Detroit Institute of Arts (DIA), in partnership with its auxiliary group Friends of Asian Art and Cultures, presents a lively, two-day festival celebrating coffee and tea traditions from Arabic, Japanese, Indian and Chinese cultures on Saturday and Sunday, Jan. 21 and 22. The festival includes demonstrations, tastings, traditional music, dance, traditional board games and art making.

Festival events are free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

Saturday, Jan. 21
Performances and Demonstrations in Rivera Court
1 p.m. Lebanese line dance and belly dance
Arabic music played on the oud and qanun, traditional string instruments
Arabic calligraphy

3 p.m. Chinese Tea Chan Ceremony
Music played on the guzheng, an ancient string instrument known as the Chinese zither
Chinese painting and calligraphy

Sunday, Jan. 22
1 p.m. Japanese Tea Ceremony (chanoyu)
Kimono show

3 p.m. Music played on an Indian Instrument
Indian classical, folk and fusion (Bollywood) dance
Fashion show of colorful Indian outfits

Saturday and Sunday, Noon-4 p.m.
Demonstrations and Tastings in the Great Hall

Arabic cardamom coffee tasting
Middle Eastern artifacts and clothing
Coffee cup reading

Chinese tea making, demonstration and tasting
Books on Chinese and Taiwanese art and culture
Chinese tea pots and tea cups display
Chinese desserts
Display of Chinese and Taiwanese paintings, puppets and clothing

Sencha (casual tea) demonstration and tasting with Japanese sweets
Display of tea ceremony materials and history of Japanese tea
Furoshiki (gift wrapping) demonstrations

Display of handicrafts from rural India
Indian paintings display
Indian clothing display: rural, bridal, ethnic and modern Bollywood

Hands-on Activities in the Student Lunchroom
Henna artistry, led by the Islamic Unity Center Youth Group

Chinese painting and paper folding
Chinese children’s games

Japanese calligraphy
Furoshiki wrapping

Indian bangles
Indian candle holders

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts to premiere Lumin, a mobile tour using augmented reality, Jan. 25 Developed by DIA in partnership with Google and mobile developer GuidiGO

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(Detroit)—The Detroit Institute of Arts (DIA) is premiering a mobile tour on Jan. 25 called Lumin that uses Google’s Tango technology to provide visitors with new, in-depth ways to engage with the DIA’s renowned collection. The DIA is the first art museum in the world to integrate this 3-D mapping and smartphone augmented reality (AR) technology into a public mobile tour.

Lumin content was created by the DIA’s interpretive team leveraging GuidiGO’s new augmented reality platform, AR Composer, built specifically for Tango. This allows the user to interact with real size 3-D animations, information and display directions in the visitor’s field of view.
“Lumin connects visitors with artworks in a global context beyond the DIA,” said Salvador Salort-Pons, DIA director. “Augmented reality allows the user to see the unseen, imagine art in its original setting and understand how objects were used and experienced in people’s everyday lives. It is an exciting way to incorporate the latest technology into the visitor experience.”

Visitors will hold a Lenovo Phab 2 Pro, a 6.4” Android smartphone, while looking at a work of art. AR overlays, videos, photographs, sounds or touch-activated animations appear on the screen to provide contextual information, such as how an object was initially used, its original location or details not normally seen by the public. Some stops will offer games where users will look for details, solve puzzles or take simple quizzes to unlock sounds and imagery relating to the artworks.

Some examples of tour stops
● In the Egyptian gallery visitors can hold the device up to a 2000-year-old mummy to reveal an x-ray view of the skeleton inside.
● While looking at a beige limestone sculpture, the screen displays the original vibrant colors that adorned an Assyrian palace thousands of years ago.
● In front of a section of the wall from the Ishtar Gate, visitors can use the device to walk through a digital reconstruction of the gates of ancient Babylon.

The name of the project is derived from the Latin word for light (lumen). This refers to the moment of illumination—the spark and magic—that occurs when people have an enlightening experience with a work of art. Light is also used as a metaphor for finding one’s way and the mapping capabilities of the devices will help visitors find their way around the DIA, enabling them to quickly find their way to specific galleries, restrooms, restaurants and the museum shop.

The initial phase of the project includes seven tour stops with a variety of AR experiences. The DIA is testing the Lumin prototype and will solicit user feedback to learn if the tours are working as planned and if adjustments need to be made. The museum plans to add additional stops based on input from visitors.

The project is generously sponsored by the J. Addison and Marion M. Bartush Family Foundation.

A media kit with this release and high-res images and video can be accessed here: http://www.dia.org/about/mediakit-lumin.aspx

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts’ Friends of African and African American Art presents 25th annual Alain Locke Award to Michael D. Harris and Mahogany Jones

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January 13, 2017 (Detroit)—The Detroit Institute of Arts’ auxiliary group Friends of African and African American Art will honor artist and scholar Michael D. Harris at its 25th annual Alain Locke Award in the international category and recording and performance artist, educator and activist Mahogany Jones in the local category. The event is Sunday, Feb. 12, 2017 at 2 p.m. in the DIA Lecture Hall and is free with museum admission. A reception will follow in the FJC Dining Rooms.

“In addition to being a world renowned artist, Michael Harris is among the few African American scholars to hold the highest academic degrees in studio art, African American Studies and art history. His contributions to our knowledge and understanding of African and African American art are extraordinary,” said Salvador Salort-Pons, DIA director. “Mahogany Jones, recording artist, performer, writer and activist, is a passionate advocate of empowering girls and women. Even with her busy schedule, she makes time to give back to the community through her involvement in Detroit literary and music nonprofits. We are very excited to honor Michael and Mahagony.”

Harris is an artist, scholar, curator and author who is currently an associate professor of Art History and African American Studies at Emory University in Atlanta. He has contributed to or co-authored a number of articles or chapters in books, journals, exhibition catalogues and a textbook on African art. His book “Colored Pictures: Race and Visual Representation” won two national awards.

As an artist, Harris has been a member of the artist collective, AfriCOBRA since 1979 and has shown his work all over the United States, the Caribbean and Europe. His work is in the collections of Morehouse College, Howard University, the University of North Carolina, the City of Atlanta, the Hampton University Museum, Dillard University, the David Driskell Center at the University of Maryland, College Park, the Paul Jones Collection at the University of Alabama, the Atlanta airport and many private collections.

As part of the Alain Locke Award program, Harris will give a talk on artist Alison Saar, who uses cultural relics in her work to elicit strategies for healing and transformation useful to black women. Harris will connect Saar’s work to larger issues of cultural expression potentially disconnected from racial categorization but rooted in culture and experience.

As an artist, Harris has been a member of the artist collective, AfriCOBRA since 1979, and has shown his work all over the United States, the Caribbean, and Europe. His work is in the collections of Morehouse College, Howard University, the University of North Carolina, the City of Atlanta, the Hampton University Museum, Dillard University, the David Driskell Center at the University of Maryland, College Park, the Paul Jones Collection at the University of Alabama, the Atlanta airport and in many private collections.

Jones, a 2016 Kresge Arts Fellow, is a recording and performance artist, educator and activist who uses music to uplift the spirit, body and soul as a means to educate people. She has released three albums and performed with Gil Scott Heron, India Arie and The Roots, among others. As a hip-hop activist, Jones launched A PURE Movement to empower women and girls and confront violence against women.

Jones is a facilitator for Detroit’s InsideOut Literary Arts Project, an adjunct instructor at the Detroit Institute of Music and a lead facilitator for Yunion, a nonprofit countering negative cultural influences that misdirect the lives of youth, and as well is a member of the Foundation, a Detroit women in hip-hop collective.

About Alain Locke and the Alain Locke Award
Alain Locke (1886–1954), a distinguished African American intellectual of his generation, was the leading theoretician and interpreter of the artistic and cultural contributions of African Americans, often referred to as the “father” of the Harlem Renaissance. Locke graduated from Harvard University and was the first African American to win a Rhodes Scholarship. He earned a doctorate in philosophy from Harvard and taught at Howard University. As a professor of philosophy, his theory of "cultural pluralism" valued the uniqueness of different styles and values available within a democratic society.

The DIA auxiliary Friends of African and African American Art established the Alain Locke Award in 1992 to honor individuals who are dedicated to the promotion and understanding of African American culture.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.
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