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Detroit Institute of Arts presents 80th annual “Detroit Public Schools Community District Student Exhibition”

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Detroit Institute of Arts presents 80th annual “Detroit Public Schools Community District Student Exhibition”
Hundreds of works by students in grades K–12 on view; 80th year marks museum’s longest continuous relationship with educational organization


Ed. note: Save the date for a media preview with student artists at the Detroit Institute of Arts on Wednesday, April 26 from 10 to 11 a.m.
Contact:
Larisa Zade          313-833-7962       lzade@dia.org                              www.dia.org
Chrystal Wilson    313-870-3895       chrystal.wilson@detroitk12.org    detroitk12.org
 
 
April 7, 2017 (Detroit)—Hundreds of imaginative works created by Detroit Public Schools Community District (DPSCD) students will be on display in the 80th annual “Detroit Public Schools Community District Student Exhibition,” presented by the Detroit Institute of Arts (DIA). The exhibition, on view April 29 through May 28, is free and will be held in the Special Exhibition Galleries South on the second floor near Farnsworth St. An opening reception for students and their families will take place Saturday, April 29, beginning at 4 p.m. in the DIA’s Detroit Film Theatre auditorium.

The partnership between the DIA and the Detroit public schools is the longest standing continuous relationship the museum has with an educational organization. Many of the students whose works have been featured in the exhibition have gone on to pursue successful careers in the arts, including, among others, Tracy Reese, a New York-based fashion designer who has dressed the likes of former First Lady Michelle Obama, and Mario Moore, a New York-based contemporary painter whose works have been shown in exhibitions across the country.

“We are honored to continue to feature the talent and creativity of DPSCD students in our galleries,” said DIA Director Salvador Salort-Pons. “Together, the DIA and DPSCD have presented eight decades of student art to the community through this beautiful partnership. The exhibitions have impacted and inspired an immeasurable amount of people, from the students themselves, their families and the visitors who come to see the artwork.”

Students from 18 schools in grades K–12 submitted ceramics, collages, drawings, videos, textiles, jewelry, paintings, photography, prints, sculpture and other works to a jury of local artists, retired DPSCD educators and DIA staff, which selected the nearly 400 pieces included in the show. This year, eight videos were submitted and accepted, which is more than ever before.

Every year entries are featured on exhibition promotional materials. This year’s selections are:

Poster
“Coney With Everything,” mixed media; Mohammed Saifur Rahman, Grade 12, Cass Technical High School

Checklist Cover
“Brown Eyed Girl,” drawing; Kyra Williams-Davis, Grade 11, Renaissance High School
“In the Moment,” drawing; Dujuan Goulbourne, Grade 12, Renaissance High School

Bookmark
“Aptikal,” jewelry; Tai'Janae Harris, Grade 12, Cass Technical High School
“Blue Squid,” painting; Kara Collier, Grade 8, Carver STEM Academy
“Floetry,” jewelry; Le'La Barnes, Grade 11, Cass Technical High School

Postcard
“Sending Love,” photography; Seth Crosby, Grade 12, Renaissance High School
“Synthetic Confidence,” photography; Lauren Crymes, Grade 12, Renaissance High School
“Women in the Water,” photography; Seth Crosby, Grade 12, Renaissance High School

Banner
“A Busy Crowd at the Show,” painting; Joy Brown-Paymon, Grade 3, Carver STEM Academy

Program Cover
“A Couple,” painting; Sydney Smith, Grade 8, Bates Academy

DIA Website
“Redwood Boots,” painting; Jordyn Willis, Grade 11, Renaissance High School

Directional Signage
“Flying High with the Friendly Skies,” drawing; Tyleigh Wilkins, Grade 3, Carver STEM Academy
“Girl Robot,” drawing; Briana Davis, Grade 4, Carver STEM Academy
“Lesson of the Spider,” painting; JoAnne Hollis, Grade 12, Cass Technical High School
“Max’s Grill,” painting; Dezjaney Smith, Grade 12, Cass Technical High School
“Rooster,” drawing; Magdalene Sanchez Pryzgodski, Grade 3, Academy of the Americas

The 80th “Detroit Public Schools Community District Student Exhibition” was organized by the DIA and DPSCD and is made possible with support from the Ruth T. T. Cattell Education Endowment Fund. Additional support was provided by the Detroit Public Schools Foundation.


Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.
 
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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Make a day of it at the Detroit Institute of Arts April 30 Live music by Gaylelynn McKinney, talk about 19th-century African American artist Robert Duncanson’s still lifes, movies and a puppet show provide something for everyone

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Make a day of it at the Detroit Institute of Arts April 30
Live music by Gaylelynn McKinney, talk about 19th-century African American artist Robert Duncanson’s still lifes, movies and a puppet show provide something for everyone

Contact: Pamela Marcil 313-833-7899 pmarcil@dia.org  
 
April 10, 2017 (Detroit)—There’s something fun and interesting going on every day at the Detroit Institute of Arts (DIA). On Sunday, April 30, in addition to drop-in art making, drawing in the galleries and family tours, visitors can enjoy live music—Detroit-style—a talk about a pioneering 19th-century African American artist, movies and a puppet show. Activities are free with museum admission unless otherwise noted.

At 1 and 3 p.m., Detroit drummer Gaylelynn McKinney, a founding member of the Grammy-nominated female jazz group Straight Ahead, performs music that meshes jazz, funk, neo-soul and Latin. The concerts take place in the museum’s elegant Kresge Court, where visitors can enjoy snacks, lunch, and a variety of beverages, including coffee, tea, beer and wine.

At 2 p.m., visitors can attend the talk “Cultivating Fruit and Equality: The Still-Life Paintings of Robert Duncanson.” While African American artist Robert Duncanson was widely known for his masterpiece landscapes, between 1842 and 1849, he created at least seven still-life paintings of fruit. He depicted oranges, lemons and pineapples—fruits that were neither indigenous to the United States nor easily grown in Ohio, where he did much of his painting. How did Duncanson gain access to so many exotic fruits, and why did he focus so intensely on them in the 1840s? Shana Klein, Global Trans-Regional Studies Post-Doctoral Fellow from Georgetown University, aims to answer these questions by studying Duncanson’s ties to art patrons who were both horticulturists and abolitionists.

Other activities include two Detroit Film Theatre movies. “A Quiet Passion” about the life of American poet Emily Dickinson starring Cynthia Nixon shows at 1 p.m. “The Stuff of Dreams” at 4:30 p.m. tells the story of a boat carrying a small acting company—and some ferocious gangsters—that crashes on a Mediterranean island where a real-life comedy develops. This movie is part of the Italian Film Festival USA and is in Italian with English subtitles. Tickets for each movie are $9.50 for general admission and $7.50 for members, seniors and students.

Families will love the puppet show “Cardboard Explosion” at 2 p.m. With help from the audience, puppeteer Brad Shur transforms simple cardboard shapes into elaborate puppet characters, then brings them to life. Get ready to outsmart dragons, choose-your-own superpower and train adorable animal sidekicks in this energetic, participatory show.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.


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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.
 
Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts says “Leave the driving to us!” on Macomb County Day Free bus transportation to DIA from Macomb County locations Saturday, May 6

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Detroit Institute of Arts says “Leave the driving to us!” on Macomb County Day
Free bus transportation to DIA from Macomb County locations Saturday, May 6

Contact: Larisa Zade    313-833-7962    lzade@dia.org    www.dia.org 
 
April 11, 2017 (Detroit)—The Detroit Institute of Arts (DIA) is providing free bus transportation to and from the museum on Saturday, May 6 for Macomb County residents as part of “County Days,” offered twice a year for people living in Macomb, Oakland and Wayne counties. The popular County Days are made possible by millage support from tri-county residents.
 
Visitors can browse the collection; see “Thalassa,” the impressive sculpture, by New York street artist Caledonia “Callie” Curry, known as Swoon, that soars above the Woodward Ave. lobby; and take docent-led tours of the African art collection, the Ancient Middle East gallery, the Dutch collection or the Inspired By Italy galleries. The DIA studio will also offer an art-making workshop for visitors.
 
There are several dining options at the museum. CaféDIA offers entrees, a decked-out salad bar, grill station, sandwiches and scrumptious desserts. Kresge Court diners can enjoy gourmet snacks, sandwiches, salads and desserts. Both restaurants offer a variety of beverages, including Starbucks coffee, beer and wine.
 
Shopping is always a fun part of the DIA experience. The museum shop carries a selection of art-related items, many of which cannot be found in other area stores.
 
Buses leave sites from around the county with convenient parking available at each departure location. Roundtrip transportation and admission are free, but reservations are required. To reserve a spot, call 313-833-4005 or go to tickets.dia.org.
 
Macomb County locations and schedule:
Sterling Heights Public Library, 40255 Dodge Park Rd.
Bus departs library at 9:30 a.m.; leaves DIA at 2:30 p.m.

Warren Community Center, 5460 Arden Rd.
Bus departs community center at 10 a.m.; leaves DIA at 3 p.m.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts hosts David Maraniss, Pulitzer Prize-winning associate editor at “The Washington Post” and author of “Once in a Great City: A Detroit Story”

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Detroit Institute of Arts hosts David Maraniss, Pulitzer Prize-winning associate editor at “The Washington Post” and author of “Once in a Great City: A Detroit Story”
Talk and book signing part of MetroNet Library Consortium’s “Everyone’s Reading” program

Contact: Pamela Marcil    313-833-7899    pmarcil@dia.org  
 
April 18, 2017 (Detroit)—The Detroit Institute of Arts (DIA) will host David Maraniss, Pulitzer Prize-winning associate editor at “The Washington Post” and author of “Once in a Great City: A Detroit Story” for a talk and book-signing on  May 23 at 11 a.m. The event is free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties, but registration is required at http://bit.ly/diadavidmaraniss

Maraniss, who was born in Detroit, is a three-time Pulitzer Prize finalist and won the Pulitzer for national reporting in 1993 for his coverage of then-presidential candidate Bill Clinton. He will speak about his newest book, “Once in a Great City: A Detroit Story,” as well as his experiences as a writer.

“Once in a Great City” is a snapshot of the people, culture and politics of Detroit at the height of its prosperity in the early 1960s. The auto industry was selling more cars than ever before and inventing the Mustang. Motown was capturing the world with its amazing artists. The progressive labor movement was rooted in Detroit with the UAW. Martin Luther King delivered his “I Have a Dream” speech there two months before he made it famous in the Washington march.

Maraniss tells Detroit’s story through portraits of its visionary leaders of the time: Henry Ford II, Walter Reuther, Berry Gordy Jr., Lee Iacocca and Rev. C. L. Franklin. He also foreshadows the city’s darker future: the Detroit mafia’s influence on football players, George Edward’s raid on the Gotham Hotel, a failed Olympic bid and continued racial tensions. Maraniss says the book is his “attempt to honor the city and all that it gave the world while also looking with clear eyes at the roots of its troubles.”

The event is a partnership with the DIA and Metro Net Library Consortium’s “Everyone’s Reading,” a program sponsored by public libraries in Oakland, Wayne and Macomb counties that promotes community dialogue through the shared experience of reading and discussing the same book. Metro Net is a virtual consortium comprising seven suburban Detroit-area public libraries. Maraniss will also be speaking at 7 p.m. on May 22 at the Community House in Birmingham and at 7 p.m. on May 23 at Congregation Shaarey Zedek in Southfield. These events are free, but require a ticket. Please see www.everyonesreading.org for more information on these appearances.

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts hires Katherine Kasdorf as assistant curator of Asian art

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Contact:    Pamela Marcil    313-833-7899    pmarcil@dia.org  
 
April 27, 2017 (Detroit)—The Detroit Institute of Arts (DIA) has hired Katherine Kasdorf as assistant curator in the department of Arts of Asia and the Islamic World. She will start on May 8 and her initial focus will be the reinstallation of the museum’s Asian art galleries.

Kasdorf comes to the DIA from the Walters Art Museum in Baltimore, Maryland, where she was a Wieler-Mellon Postdoctoral Curatorial Fellow working primarily with the South and Southeast Asian and Islamic collections. Kasdorf has also conducted research on the sculpture, architecture and topographical contexts of South Asian temples and on architectural reuse.

“Katherine will bring new energy to the DIA’s Department of Arts of Asia and the Islamic World. We are excited to welcome her to the curatorial staff and recognize her connoisseurship and passion for our collection,” DIA Director Salvador Salort-Pons said. “Katherine arrives at a crucial moment at the DIA when we are in the midst of reinstalling our extraordinary Asian galleries and deeply engaging our Asian community. I look forward to seeing Katherine succeed and help the DIA better serve our region."

The new position is a homecoming for the DIA’s new curator. Kasdorf grew up in Ann Arbor, Michigan, and remarked, “I have enjoyed visiting the DIA with my family for many years, and I value the opportunity to contribute to the continued success of the museum as a member of its curatorial team.”

Kasdorf has a Bachelor’s of Art from New York University, and an M.A., M.Phil. and Ph.D. from Columbia University, New York, and has taught at both universities. Her studies resulted in frequent travel to India for research on the sculpture and architecture of temples in the southwestern region of Karnataka, built during Hoysala rule in the 12th–13th centuries. At the Walters, Kasdorf collaborated with other staff on gallery installations of the arts of India, Nepal and Tibet; Southeast Asian sculpture; and Buddhist arts of East and Southeast Asia. In addition, she curated the exhibition “Ferocious Beauty: Wrathful Deities from Tibet and Nepal” (2016–17) as well as contributing to the exhibition “Pearls on a String: Art in the Age of Great Islamic Courts” (2014–2015).
 
 
 
 
The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, houses more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties. 

Detroit Institute of Arts presents “Art of Rebellion: Black Art of the Civil Rights Movement” Exhibition of art asserting black identity and racial justice issues

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Contact:    Pamela Marcil    313-833-7899    pmarcil@dia.org
 
April 25, 2017 (Detroit)—As part of a city-wide commemoration of the 50th anniversary of the 1967 Detroit rebellion, the Detroit Institute of Arts (DIA) presents “Art of Rebellion: Black Art of the Civil Rights Movement,” July 23–Oct. 22, 2017. The exhibition is free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

“Art of Rebellion” features 34 paintings, sculptures and photographs mostly by African American artists working both collectively and independently in the 1960s and 70s. Artists in the collectives created art for African American audiences that asserted black identity and racial justice and, situated within the story of these collectives, is the Detroit rebellion of 1967. The exhibition also includes works by artists who were not part of a collective and artists working in later decades who were inspired by art from the Civil Rights Movement. A scholarly catalog accompanies the exhibition.

The exhibition is co-organized by the DIA and Detroit’s Charles H. Wright Museum of African American History, which is hosting a complementary exhibition, “Say it Loud: Art, History, Rebellion.” Both are part of a community-wide reflection on the Detroit rebellion of 1967 that involves about 100 local institutions led by the Detroit Historical Museum.

“The commemoration of the 1967 Detroit rebellion provides an opportunity to call attention to the talented and often overlooked artists who were reacting to the struggle for social, political and racial justice during the 1960s and 70s,” said Salvador Salort-Pons, DIA director. “The DIA’s collaboration with the Wright Museum lays a foundation from which we are building a strategic and lasting working relationship that will help bring our community closer together.”

Most of the exhibition focuses on the art of five artist collectives:
Spiral Active 1963–65 in New York and formed by Romare Bearden, Charles Alston, Norman Lewis and Hale Woodruff to advance the Civil Rights Movement’s platform of social change. Charles Alston’s “Black and White #7” (1961), “Untitled (Alabama)” by Norman Lewis (1967) and Romare Bearden’s photo projection on paper “Conjure Woman” (1964) are shown in this section.

Kamoinge Workshop Founded in 1963 in Harlem by photographers Louis Draper, Ray Francis, Herbert Randall, Albert Fenner and Roy DeCarava. Kamoinge is still active in addressing the underrepresentation of black photographers in the art world and in conveying the black experience. Ming Smith’s “James Baldwin in Setting Sun over Harlem, Harlem, New York, 1979” (1979/91), “Fadiouith, Senegal” by Anthony Barboza, (1972) and Adger W. Cowans’ “Malcolm X Speaks at a Rally in Harlem (at 115th St. & Lexington Ave.), New York, September 7, 1963” (1963) are among the photographs in this section.

Weusi Based in Harlem, founded in 1965 by Ademola Olugebefola and Otto Neals. An ongoing collective dedicated to eradicating negative misrepresentations of black culture in the media and to teaching African Americans about their heritage. This section includes Che Baraka’s “Blood of My Blood” (1973), “Curiosity” by Otto Neals (1969) and “Shango” by Ademola Olugebefola (1969).

Black Arts Movement (BAM) Active in New York 1965–76 and founded by poet and playwright Amiri Baraka in response to Malcolm X’s death. These artists emphasized racial pride and African heritage in art that reflects black culture and experiences. BAM members were politically militant and often racial separatist. This section features “Southern Pasture” by Benny Andrews (1963), “The Fire Next Time” by Vincent Smith (1968) and Hale Woodruff’s “Ancestral Memory” (1966).

AfriCOBRA
(African Commune of Bad Relevant Artists) Established in Chicago in 1968 by Jeffrey Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams. These artists created powerful art that was understandable, relevant and accessible. They regarded art making as a revolutionary act and developed Afrocentric aesthetic principles and concepts that reflected the style, colors, cool attitude and rhythm associated with African American culture. Among these works are “Three Queens” by Wadsworth Jarrell (1971), “Unite” by Barbara Jones-Hogu (1971) and Jeff Donaldson’s “Victory in the Valley of Eshu (1971).

“Art of Rebellion” also includes work by artists who did not belong to a collective but who were also reacting to civil rights and social justice issues. Some examples are “Black Attack” by Allie McGhee (1967), which is about Detroit’s 1967 rebellion and “Selma to Montgomery, Alabama March, Cover of May, 1965 Issue of Ebony Magazine” by photographer Moneta Sleet Jr., which shows Dr. Martin Luther King Jr. leading protesters on the famous march in the title of the work.

Many African American artists working in the 1980s to the present were inspired by artists in the collectives, who were virtually unknown and unrecognized in their own time. Among them are Rita Dickerson, whose 2017 painting “1967: Death in the Algiers Motel and Beyond” is about the 1967 Detroit rebellion; Elizabeth Catlett’s “Homage to Black Women Poets” (1984) and David Hammons “African American Flag” (1990).

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, houses more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Detroit Institute of Arts hosts conversation with award-winning designer-artists Isabel and Ruben Toledo moderated by fashionista André Leon Talley, former editor-at-large for Vogue

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Contact: Pamela Marcil      313-833-7899      pmarcil@dia.org

May 4, 2017 (Detroit)—The Detroit Institute of Arts (DIA) is hosting three stars of the art, design and fashion world for a conversation on May 24 at 6 p.m. at the DIA’s Detroit Film Theatre. Renowned artists and designers Isabel and Ruben Toledo will join fashion legend André Leon Talley for a discussion about artistic collaboration. The Talley-directed conversation will explore the Toledo’s lifelong partnership in art, design and life, as well as provide insight into the world of two highly talented artists working in synergy. The event is sponsored by the DIA auxiliary group Friends of Modern and Contemporary Art and is free and open to the public.

Between them, Isabel and Ruben Toledo have a repertoire of disciplines, from fashion, costume and furniture design to illustration and animation. Talley is a giant in the fashion world, having been the former editor-at-large for Vogue, a judge on America’s Top Model and a front-row regular at fashion shows in New York, Paris, London and Milan for more than 30 years.

The Cuban-born Toledos met as teenagers and married in 1984. Isabel designs and constructs her namesake women’s wear collections from the Toledos’ legendary New York City studio and participates in New York, Barcelona and Paris Fashion Weeks. She is highly regarded for her iconic lemon grass inauguration dress designed for former First Lady Michelle Obama in 2009. Ruben is a painter, sculptor and fashion chronicler who creates incisive illustrations for top international magazines, journals and fashion retailers, including the New Yorker, Vogue, Louis Vuitton, Nordstrom, Harper’s Bazaar, Visionair and The New York Times. His work has been shown at prestigious institutions including the Costume Institute of New York’s Metropolitan Museum of Art, the Victoria and Albert Museum in London, and the Pitti Palace in Florence. The Toledo's are currently designing sets and costumes for the Miami Ballet's new production of “The Nutcracker,” which premieres this December.

Talley is a fashion world icon who began his career in New York as an editor for Andy Warhol’s Interview magazine and Women’s Wear Daily. He worked at Vogue for more than 34 years in various positions, including writer, creative director and editor-at-large. He is currently a contributing editor to Vogue, host of both Vogue’s podcast and the live talk show “Full Length” on SiriusXM’s Radio Andy. He has written several books, among them “A.L.T 365” (2005), “Little Black Dress” (2013) and Oscar de la Renta: His Legendary World of Style (2015). He co-authored Valentino: At the Emperor’s Table (2014) with the designer. Talley has curated several fashion exhibitions, including “Joaquín Sorolla and the Glory of Spanish Dress” (2011), “High Style” (2011), Francisco Costa for Calvin Klein Collection (2013) and “Oscar de la Renta: The Retrospective” (2016). 

Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

Enjoy—or be part of—an outdoor puppet show at Detroit Institute of Arts May 20 and 21. Bread and Puppet Theater looking for volunteers to join in the fun

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Contact: Pamela Marcil    313-833-7899    pmarcil@dia.org

May 5, 2017 (Detroit)—Enjoy the esteemed Bread and Puppet Theater (and a few local volunteer performers) on the Detroit Institute of Arts’ (DIA) lawn for the free performance of “Whatforward Circus” at 3 p.m. Saturday and Sunday, May 20 and 21.

“Whatforward Circus” is about a group of stone-age technology puppeteers, brass players and percussionists who fight the anonymous monster, the Big Fat Wrong. Complete with Mongolian hordes, singing toilets and stilted flying businessmen, Bread and Puppet Theater invites the whole family to dance, sing and question. The audience is encouraged to bring blankets or chairs.

In the true spirit of community engagement, volunteers are welcome to take part in the performances. The DIA is looking for 10-20 people to join in the fun that might include performing with puppets and masks, dancing with a group or just waving a flag. All ages, skill levels and abilities are welcome and the parts can be learned quickly. Those interested should contact Emily Bowyer at ebowyer@dia.org for more information.

Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side and continues to be one of the oldest, nonprofit, self-supporting theatrical companies in the country. Besides producing rod- and hand-puppet shows for children, the group focused the first productions on social issues, including rents, rats, police and other neighborhood problems. More complex theater pieces followed, with sculpture, music, dance and language in equal partnership with the puppets. The puppets grew bigger and bigger and annual presentations for Christmas, Easter, Thanksgiving and Memorial Day often included children and adults from the community as participants.
 
In 1974 Bread and Puppet moved to a farm in Glover, Vermont. The 140-year old hay barn was transformed into a museum for retired puppets. The company makes its income from touring on the North American continent and abroad, and from sales of Bread and Puppet Press’ posters and publications. The traveling puppet shows range from tightly composed theater pieces to extensive outdoor pageants that require the participation of many volunteers.

 
Museum Hours and Admission
9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $12.50 for adults, $8 for seniors ages 62+, $6 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art individually and with each other.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.

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